A deceived woman... Love and sex are two apparent axes that overwhelm the surface of the story of a deceived woman. As for the language, it has its historical reference as a formative aesthetic basis for the writer. The history of the writer and his biography talked about a mystical religious upbringing. I learned that he was the imam of the worshipers in his father's seclusion, and as for his father, he is a scholar who agrees in religion and language and holds a doctorate degree in language. Conservative Sufi religious upbringing, which we discover from the lyrical poeticism. Woman of deceit It wasn't such an innocent story as I thought, yes it's not a collection of creative bodily scattering or some kind of free nudity it's an aesthetic ideology. It is the first creative outlet of what they call themselves aestheticists. The writer and storyteller lost his political and ideological faith. The danger of the major political transformations that took place in Sudan since the birth of the Salvation Government was that it blew up the ideology over the heads of artists and writers. It is absurd for the storyteller Muhammad Okasha to search for an end to the story of a woman of deceit, because the aesthetic creative state, even if it is for a moment or more than that, will remain closed, but it will still be subject to explosion, openness and radiance. A story without an end because it is a story without a beginning, without logic, so how do you search for a logical end to an originally illogical phenomenon?Thanks to that and his guilt at the same time, this text has become a rare creative effect, another type of creative opinion that we can call the story of postmodernism or the end of paradigms. modernism and beyond modalities